Shanghai Triad

This is a fine movie - wonderfully acted, beautifully shot, quite simple. Without being heavy-handed, one comes to sense the presence of real evil that tempts and corrupts and destroys. It's a little slow at times because the story is so simple - yet the slowness and simplicity does allow the messages of the movie to hit home. Something else I like is that the protagonist boy is not made to be cute or winning - he just is who he is - largely an observer but sometimes acting with generosity and sometimes with contempt. Much has been said by others about the beautiful cinematography and that's certainly true - but I'm also struck by the amazing work of those who constructed or chose the sets, costumes, background characters - they were quite memorable. What a star in Gong Li, and what a director! I don't agree with those who contrast this with American movies - surely we feel the same evil in watching either version of Scarface or The Petrified Forest or The Road to Perdition. In fact, I would say this movie is most like The Road to Perdition of any I've seen - not in its story particularly but in its tone, its simplicity, its contrasts of character, its cinematography. This is also a good movie for those who say they don't like foreign movies - you'll like this one. Uncle Liu brings his cousin to Shanghai to work for 'Boss,' the leader of a powerful drug empire in the 1930's. Shuisheng, a simple country boy is awed and overwhelmed by the opulence and immense wealth he is suddenly surrounded by. He is to be the attendant of Xiao Jingbao, the new mistress of 'Boss.' While he fumbles with the demands of his new role, much intrigue is going on around him, well beyond his bewildered perception. Xiao Jingbao is having a tumultuous affair, Fat Yu is starting a gang war, and 'Boss' is beginning to suspect that one of his trusted men is not loyal. This was a difficult film for Yimou Zhang to make. His relationship with his leading lady Li Gong was coming to an acrimonious end and the Chinese authorities were deliberately hassling him with complicated and elusive work permits. That was mainly because they were still annoyed with him for submitting his previous film Huozhe (1994) to the Cannes Film Festival without their permission.